CULTURE

The 135 Movies You Must See to Understand Cinema


If you wish to become a cinephile wor­thy of the title, you must first pledge nev­er to refuse to watch a film for any of the fol­low­ing rea­sons. First, that it is in a dif­fer­ent lan­guage and sub­ti­tled; sec­ond, that it is too old; third, that it is too slow; fourth, that it is too long; and fifth, that it has no “sto­ry.” These cat­e­gories of refusal are what Lewis Bond, co-cre­ator of the YouTube chan­nel The House of Tab­u­la, calls “the five car­di­nal sins of cin­e­ma,” and no one who com­mits them can ever attain an under­stand­ing of the art form, its nature, its his­to­ry, and its poten­tial. Once you’ve made your vow, you’ll be ready to watch through the 135 chrono­log­i­cal­ly ordered motion pic­tures that con­sti­tute The House of Tab­u­la’s “Ulti­mate Film Stud­ies Watch­list,” ful­ly explained in the video above.

While the movies first emerged in the nine­teenth cen­tu­ry, and plen­ty con­tin­ue to be made here in the twen­ty-first, they stand unop­posed as the defin­ing pop­u­lar art form of the twen­ti­eth. And it is from the span of that cen­tu­ry that all the films on this list are drawn, from Georges Méliès’ Le Voy­age dans la Lune and D. W. Grif­fith’s The Birth of a Nation to all the way to Quentin Taran­ti­no’s Pulp Fic­tion and the Wachowskis’ The Matrix.

What hap­pened to cin­e­ma between those peri­ods was, in a sense, a process of tech­no­log­i­cal and artis­tic evo­lu­tion, but as Bond’s com­men­tary under­scores, old­er films aren’t super­seded by new­er ones — or at least, old­er films of val­ue aren’t. Indeed, the ambi­tion and cre­ativ­i­ty of these decades, or even cen­tu­ry-old movies, puts many a cur­rent release to shame.

By no means is the list dom­i­nat­ed by obscu­ri­ties. Gone with the Wind, Fan­ta­sia, Sin­gin’ in the Rain, Psy­cho, Jaws, Alien: even the least cin­e­mat­i­cal­ly inclined among us have seen a few of these movies, or at least they feel like they have. Maybe they’ve nev­er got around to watch­ing Cit­i­zen Kane, but they’ll have a sense that it belongs on any syl­labus meant to cul­ti­vate an under­stand­ing of film as an art form. The pres­ence of Star Wars may come as more of a sur­prise, but no less than Cit­i­zen Kane, it illus­trates the ben­e­fit of watch­ing your way through cin­e­ma his­to­ry: if you do, you’ll expe­ri­ence just how much of a break they rep­re­sent­ed with all that came before. Ordi­nary movie­go­ers may feel like they’ve seen it all before, but cinephiles — espe­cial­ly those who’ve made the jour­ney through The House of Tab­u­la’s watch­list — know how vast an area of cin­e­mat­ic pos­si­bil­i­ty remains unex­plored.

Relat­ed con­tent:

78 Great Direc­tors Who Shaped the His­to­ry of Cin­e­ma: An Intro­duc­tion

The 30 Great­est Films Ever Made: A Video Essay

Mar­tin Scors­ese Cre­ates a List of 39 Essen­tial For­eign Films for a Young Film­mak­er

The Evo­lu­tion of Cin­e­ma: Watch Near­ly 140 Years of Film His­to­ry Unfold in 80 Min­utes

Take a 16-Week Crash Course on the His­to­ry of Movies: From the First Mov­ing Pic­tures to the Rise of Mul­ti­plex­es & Net­flix

The 15 Great­est Doc­u­men­taries of All Time: Explore Films by Wern­er Her­zog, Errol Mor­ris & More

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.





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