CULTURE

The 100 Greatest Novels of All Time, According to 750,000 Readers in the UK (2003)


In the eigh­teenth cen­tu­ry, the read­ers of Europe went mad for epis­to­lary nov­els. France had, to name the most sen­sa­tion­al exam­ples, Mon­tesquieu’s Let­tres per­sanes, Rousseau’s Julie, and Lac­los’ Les Liaisons dan­gereuses; Ger­many, Goethe’s Die Lei­den des jun­gen Werther and Hölder­lin’s Hype­r­i­on. The Eng­lish proved espe­cial­ly insa­tiable when it came to long-form sto­ries com­posed entire­ly out of let­ters: soon after its pub­li­ca­tion in 1740, Samuel Richard­son’s Pamela — by some reck­on­ings, the first real Eng­lish nov­el — grew into an all-encom­pass­ing cul­tur­al phe­nom­e­non, which Richard­son him­self out­did eight years lat­er with Claris­sa. Alas, when the BBC sur­veyed the pub­lic two and three-quar­ter cen­turies lat­er to deter­mine the most beloved nov­el in the U.K., nei­ther of those books even made the top 100.

With the pos­si­ble excep­tions of Bram Stok­er’s Drac­u­la (#104) and Mary Shel­ley’s Franken­stein (#171) — two works of nine­teenth-cen­tu­ry hor­ror that make use of a vari­ety of tex­tu­al forms, let­ters includ­ed — the rank­ings pro­duced by “The Big Read” includ­ed prac­ti­cal­ly no epis­to­lary nov­els. (Nor did eigh­teenth-cen­tu­ry works of any oth­er kind make the cut.) What hap­pened to the lit­er­ary genre that had once caused such a nation­al craze? For one thing, Jane Austen hap­pened: nov­els like Pride and Prej­u­dice, Emma, and Per­sua­sion revealed just how rich a sto­ry could become when its nar­ra­tion breaks away from the pen of any char­ac­ter in par­tic­u­lar, gain­ing the abil­i­ty to know more about them than they know about them­selves. Not for noth­ing did all three of those books per­form well on The Big Read the bet­ter part of 200 years after they came out; Pride and Prej­u­dice even came in at num­ber two.

The top spot was tak­en by J. R. R. Tolkien’s Lord of the Rings tril­o­gy: an under­stand­able out­come, giv­en not just its ambi­tion but also its mas­sive and endur­ing pop­u­lar­i­ty and influ­ence. Still, one does won­der if Peter Jack­son’s block­buster film adap­ta­tions, released in the years lead­ing up to the poll, might have had some­thing to do with it. Sim­i­lar sus­pi­cions adhere to the likes of Cap­tain Corel­li’s Man­dolin (#19), Amer­i­can Psy­cho (#185), The Beach (#103), and Brid­get Jones’s Diary (#75), all of which pro­vid­ed the basis for major motion pic­tures around the turn of the mil­len­ni­um. Umber­to Eco’s The Name of the Rose, one of a scat­ter­ing of trans­lat­ed nov­els to make the list, also got the Hol­ly­wood treat­ment, but it’s worth remem­ber­ing that the book itself sold so well that its Eng­lish trans­la­tor could use his roy­al­ties to build an addi­tion to his Tus­can vil­la called the “Eco Cham­ber.”

Apart from Austen, the oth­er nov­el­ists with mul­ti­ple books on The Big Read­’s top 100 include Stephen King, who also has three; Thomas Hardy, with four; and Charles Dick­ens, with sev­en. Those are, in any case, some of the nov­el­ists for adults. The abid­ing British appre­ci­a­tion for chil­dren’s lit­er­a­ture shows in the high rank­ings of Roald Dahl, who secured a great many votes with even less­er works like The Twits and Dan­ny, the Cham­pi­on of the World; J. K. Rowl­ing, who would have ben­e­fit­ed from the height of Har­ry Pot­ter mania in any case; and the pro­lif­ic Dame Jacque­line Wil­son, whose four­teen nov­els on the list place her sec­ond only to Sir Ter­ry Pratch­et­t’s fif­teen. It could be that his com­ic-fan­ta­sy sen­si­bil­i­ty, sat­u­rat­ed with both the out­landish and the mun­dane, res­onat­ed unique­ly with the British psy­che. Or, as Pratch­ett him­self says in the BBC’s Big Read tele­vi­sion broad­cast, “it could just be that I’m quite pop­u­lar.”

In total, more than 750,000 read­ers par­tic­i­pat­ed in the Big Read poll. Find read­ers’ top 100 books below:

1. The Lord of the Rings, JRR Tolkien

2. Pride and Prej­u­dice, Jane Austen

3. His Dark Mate­ri­als, Philip Pull­man

4. The Hitch­hik­er’s Guide to the Galaxy, Dou­glas Adams

5. Har­ry Pot­ter and the Gob­let of Fire, JK Rowl­ing

6. To Kill a Mock­ing­bird, Harp­er Lee

7. Win­nie the Pooh, AA Milne

8. Nine­teen Eighty-Four, George Orwell

9. The Lion, the Witch and the Wardrobe, CS Lewis

10. Jane Eyre, Char­lotte Bron­të

11. Catch-22, Joseph Heller

12. Wuther­ing Heights, Emi­ly Bron­të

13. Bird­song, Sebas­t­ian Faulks

14. Rebec­ca, Daphne du Mau­ri­er

15. The Catch­er in the Rye, JD Salinger

16. The Wind in the Wil­lows, Ken­neth Gra­hame

17. Great Expec­ta­tions, Charles Dick­ens

18. Lit­tle Women, Louisa May Alcott

19. Cap­tain Corel­li’s Man­dolin, Louis de Bernieres

20. War and Peace, Leo Tol­stoy

21. Gone with the Wind, Mar­garet Mitchell

22. Har­ry Pot­ter And The Philoso­pher’s Stone, JK Rowl­ing

23. Har­ry Pot­ter And The Cham­ber Of Secrets, JK Rowl­ing

24. Har­ry Pot­ter And The Pris­on­er Of Azk­a­ban, JK Rowl­ing

25. The Hob­bit, JRR Tolkien

26. Tess Of The D’Urbervilles, Thomas Hardy

27. Mid­dle­march, George Eliot

28. A Prayer For Owen Meany, John Irv­ing

29. The Grapes Of Wrath, John Stein­beck

30. Alice’s Adven­tures In Won­der­land, Lewis Car­roll

31. The Sto­ry Of Tra­cy Beaker, Jacque­line Wil­son

32. One Hun­dred Years Of Soli­tude, Gabriel Gar­cía Márquez

33. The Pil­lars Of The Earth, Ken Fol­lett

34. David Cop­per­field, Charles Dick­ens

35. Char­lie And The Choco­late Fac­to­ry, Roald Dahl

36. Trea­sure Island, Robert Louis Steven­son

37. A Town Like Alice, Nevil Shute

38. Per­sua­sion, Jane Austen

39. Dune, Frank Her­bert

40. Emma, Jane Austen

41. Anne Of Green Gables, LM Mont­gomery

42. Water­ship Down, Richard Adams

43. The Great Gats­by, F Scott Fitzger­ald

44. The Count Of Monte Cristo, Alexan­dre Dumas

45. Brideshead Revis­it­ed, Eve­lyn Waugh

46. Ani­mal Farm, George Orwell

47. A Christ­mas Car­ol, Charles Dick­ens

48. Far From The Madding Crowd, Thomas Hardy

49. Good­night Mis­ter Tom, Michelle Mago­ri­an

50. The Shell Seek­ers, Rosamunde Pilch­er

51. The Secret Gar­den, Frances Hodg­son Bur­nett

52. Of Mice And Men, John Stein­beck

53. The Stand, Stephen King

54. Anna Karen­i­na, Leo Tol­stoy

55. A Suit­able Boy, Vikram Seth

56. The BFG, Roald Dahl

57. Swal­lows And Ama­zons, Arthur Ran­some

58. Black Beau­ty, Anna Sewell

59. Artemis Fowl, Eoin Colfer

60. Crime And Pun­ish­ment, Fyo­dor Dos­toyevsky

61. Noughts And Cross­es, Mal­o­rie Black­man

62. Mem­oirs Of A Geisha, Arthur Gold­en

63. A Tale Of Two Cities, Charles Dick­ens

64. The Thorn Birds, Colleen McCol­lough

65. Mort, Ter­ry Pratch­ett

66. The Mag­ic Far­away Tree, Enid Bly­ton

67. The Magus, John Fowles

68. Good Omens, Ter­ry Pratch­ett and Neil Gaiman

69. Guards! Guards!, Ter­ry Pratch­ett

70. Lord Of The Flies, William Gold­ing

71. Per­fume, Patrick Süskind

72. The Ragged Trousered Phil­an­thropists, Robert Tres­sell

73. Night Watch, Ter­ry Pratch­ett

74. Matil­da, Roald Dahl

75. Brid­get Jones’s Diary, Helen Field­ing

76. The Secret His­to­ry, Don­na Tartt

77. The Woman In White, Wilkie Collins

78. Ulysses, James Joyce

79. Bleak House, Charles Dick­ens

80. Dou­ble Act, Jacque­line Wil­son

81. The Twits, Roald Dahl

82. I Cap­ture The Cas­tle, Dodie Smith

83. Holes, Louis Sachar

84. Gor­meng­hast, Mervyn Peake

85. The God Of Small Things, Arund­hati Roy

86. Vicky Angel, Jacque­line Wil­son

87. Brave New World, Aldous Hux­ley

88. Cold Com­fort Farm, Stel­la Gib­bons

89. Magi­cian, Ray­mond E Feist

90. On The Road, Jack Ker­ouac

91. The God­fa­ther, Mario Puzo

92. The Clan Of The Cave Bear, Jean M Auel

93. The Colour Of Mag­ic, Ter­ry Pratch­ett

94. The Alchemist, Paulo Coel­ho

95. Kather­ine, Anya Seton

96. Kane And Abel, Jef­frey Archer

97. Love In The Time Of Cholera, Gabriel Gar­cía Márquez

98. Girls In Love, Jacque­line Wil­son

99. The Princess Diaries, Meg Cabot

100. Mid­night’s Chil­dren, Salman Rushdie

Relat­ed con­tent:

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The 100 Best Nov­els: A Lit­er­ary Crit­ic Cre­ates a List in 1898

David Bowie’s Top 100 Books

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.





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