CULTURE

How IKEA Revolutionized Furniture-Making | Open Culture


The humorist San­dra Tsing Loh once described her gen­er­a­tional cohort as “today’s young, high­ly trained, down­ward­ly mobile pro­fes­sion­als: ‘dump­ies.’ We’re just emerg­ing from years of col­lege only to learn that there are no jobs avail­able for peo­ple with our advanced qual­i­fi­ca­tions,” and thus no route to own­er­ship of all their hoped-for lifestyle accou­trements. No, she’s not a mil­len­ni­al, but rather what she calls a “late boomer” in an essay that dates from the mid-nineties — a few years after IKEA founder Ing­var Kam­prad “came into South­ern Cal­i­for­nia, utter­ing those five immor­tal words: ‘Halo­gen! Impos­si­ble Price: $29!’ The rest was his­to­ry. In that instant, we dump­ies found our niche. We rose up and became the IKEA Gen­er­a­tion!”

IKEA could expand so far out of its native Swe­den thanks to the suc­cess of prod­ucts like the LACK cof­fee table, the sub­ject of the new Pri­mal Space video above. Though small in scale and high­ly unpre­pos­sess­ing in appear­ance (and, let’s face it, a visu­al byword for cheap fur­nish­ings sec­ond only to the num­ber-one-sell­ing BILLY book­shelf) it’s long been a steady sell­er the world over, not least because its price, just under the equiv­a­lent of ten euros when intro­duced in 1981, has nev­er been raised. To man­age that, IKEA has had to use every trick in its book: not just the do-it-your­self “flat-packed” design it pio­neered, but also non-warp­ing par­ti­cle board, hon­ey­comb paper struc­tures for max­i­mum strength using a min­i­mum of mate­r­i­al, and even new­ly engi­neered leg-fold­ing machines.

How­ev­er briskly it sells, this par­tic­u­lar prod­uct may be unfor­tu­nate­ly named in an Eng­lish-speak­ing mar­ket; “What they ‘lack’ is sta­bil­i­ty,” one inter­vie­wee says to Loh. Still, it remains emblem­at­ic enough of the cor­po­rate mis­sion once artic­u­lat­ed by Kam­prad him­self: “To cre­ate a bet­ter every­day life for the major­i­ty of peo­ple.” (“How many Repub­li­can politi­cians can say they’ve done that?” Loh adds. “How many Democ­rats?”) That extends to the design of IKEA’s stores, which offer only one path to fol­low all the way through, like an extra-large fun­house. As not­ed in the video, while this forces cus­tomers to pass every prod­uct — and thus every temp­ta­tion to impulse buy — it also turns a vis­it into an expe­ri­ence unto itself, before the cus­tomer even reach­es the cafe­te­ria. Fun­ny; I could go for a plate of meat­balls right about now.

If you want to take a deep dive into the ori­gin and growth of IKEA, lis­ten to this three hour episode from the Acquired pod­cast.

Relat­ed Con­tent:

IKEA Dig­i­tizes & Puts Online 70 Years of Its Cat­a­logs: Explore the Designs of the Swedish Fur­ni­ture Giant

Hans Rosling Uses Ikea Props to Explain World of 7 Bil­lion Peo­ple

What Hap­pens When a Cheap Ikea Print Gets Pre­sent­ed as Fine Art in a Muse­um

Meet the Mem­phis Group, the Bob Dylan-Inspired Design­ers of David Bowie’s Favorite Fur­ni­ture

Spike Jonze’s Imag­i­na­tive TV Ads

Charles & Ray Eames’ Icon­ic Lounge Chair Debuts on Amer­i­can TV (1956)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.





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